"(...)Some of the photographs in this project are conventionally observational, often atmospheric observation, material observation, or direct documentation. Others images are more self-consciously engaging directly, or tangentially, with the discourse of contemporary art, often with an emphasis on gesture and abstraction. My interest in gesture is not limited to my own marks and activity but also architectural gesture, the gestures of individuals ripping open the walls stealing copper wire, or the gestures of military trainees spraying the walls with paint ball impacts during war game exercises. Or, on the exteriors, the gestures of someone recklessly driving a bulldozer clearing foliage between the buildings.
At George, we have the site of multiple engagements. The engagement of the massive and deadly momentum of the cold war. The engagement of the fictive battlefield for war games after its decommission. And the site of my own engagement of medium, sensibility, and multiple histories. Histories both cultural and personal.(...)" @divola